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Enlarged Negatives

ALWAYS CHANGE ONLY ONE THING AT A TIME!
REMEMBER ENLARGED NEGATIVE IS ONLY THE FIRST STEP IN MAKING THE PRINT. YOU MUST RE-EVALUATE ENLARGED NEGATIVE AFTER FIRST PRINT TESTS AND MAYBE RE-DO INTERNEG. I DON'T LIKE TO TAKE POSITIVE OUT OF ENLARGER UNTIL A GOOD PRINT IS MADE!

For making the inter positive I use (thanks very much for help from John Rudiak ) Ilford Commercial Ortho film to make a 4x5 or 8x10 positive 1-2 foot candles on easel exposure 1-3 seconds develop in Ilford iflfotech 1-32 4-10 mins 70' also sometimes use HC 110 dil. B 4-10 mins 70' It seems best if your positive is somewhat flatter than you think the final should be and you want detail in highlights and shadows! It should look like a print that you would make if you where going to do a two step Kodak sepia toned print, a little dark a little flat, if your final negative is going to be on Kodak Pro copy 4125 film. In the last month or so John Rudiack and I have been working with "Pan Film ISO 125" from Photo Warehouse 800-922-5484 and we are loving it. If your final negative is on this film you want your positive to be more contrasty but still hold detail in blacks and highlights. Remember if it ain't in the positive it can't be in the negative!

NEGATIVE:
Your negative must be the same size as your print as this is a contact printing process.

On:
Kodak Pro. Copy Film 4125 THIS IS ORTHO FILM..........BUT USE VERY LOW LEVEL OR NO SAFELIGHT as it is very light sensitive and fogs very quickly. I really recommend no safelight. 1-2 foot candles on easel exposure 1-3 seconds develop HC 110 Dil B 6-8 mins. Kodak D-19, D-11 or D-8 for much more contrast, starting point 6-10 mins 70'. On Pro Copy more exposure will give more contrast. Also 10 mins. in a Selenium toner 1-4 will add contrast. order Kodak Pro. Copy Film 4125 from: Unique Photo 1-800-631-0300 ext. 253 Rich Kelly

On:
Pro Pan ISO 125 Film This is panchromatic film NO SAFELIGHT! Exposure information seems to be about the same as for the Kodak Pro Copy but this film is less contrasty- hence the need for a more contrasty positive. John and I are still fine tuning it but at the present time I am using D-11 straight or 1 to 1 at 70' for 6-10 mins. and for more contrast D-8 1-1 or straight for 6-10mins at 70'. With more experiment I hope to get back to using HC-110 for this film. Also selenium toning in 1-4 for 10 mins does great things to highlights and again helps add contrast.

Both John and I feel this will be our film of choice very soon and I recommend using it first if your just starting out. You can only get it through Photo Warehouse 800-922-5484. They carry it in 20 inch rolls and will cut it to any size you wish in any quantity. It is also about ½ the price of Kodak Pro Copy.

Lots of people are using litho films and other strange concoctions that cost much less but I feel that the extra money you spend for a really super negative will more than pay for itself in print quality, time in the darkroom and print sales, or at the very least personal satisfaction.

I feel it is very important to make your enlarged negative with enough contrast so you can print with none of the additives that are used to increase the contrast of the paper, be it in the emulsion or the developer. All the additives seem to degrade the image. More about this in Printing section.